Shepherd.com, a New Review, and the Leapfrog Prize

It’s rapidly reaching that time of year when the grey descends on Berlin and then lingers until January, so I’ve been taking the rare opportunity to leave my desk and Go Places; which last weekend meant a trip to the Sanssouci palaces at Potsdam. Dressing for my role as an eccentric aristocrat somehow born into the lower classes, I did my best to unnerve poorly-dressed tourists with my sheer opulent beauty.

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Or maybe it was the lipstick, who knows.

Anyway, let’s get on to the latest news…

Shepherd Book Recommendations

I was very pleased to have Shepherd.com reach out to me asking for a list of themed recommendations. Shepherd is a new site dedicated to helping people find books, recommended by actual authors, which is refreshing in a world of menacing algorithms and gamed review systems. The theme I chose was ‘The best novels exploring polyamory and non-traditional love’, because of cause it was.

The recommendations were a lot of fun to write, and I wholeheartedly suggest reading these stories if you’re interested in poly lives and loves. You can read the recommendations here.

The Offset Review

Perhaps you’ve noticed my last few book reviews have been somewhat negative. For the past couple years it’s followed the same pattern: there’s a new sci-fi novel being released by an author I really like. I request it for review and then read it only for the familiar sinking feeling to start collapsing its way through my body, because too many well-established authors seem to stop making the effort to produce well-written, insightful work. So I was delighted to finally review a book that I actually really enjoyed, by new writing duo Natasha C. Calder and Emma Szewczak, writing under the name Calder Szewczak.

Check the review out at Strange Horizons.

The Leapfrog Prize

Finally, I’m happy to announce that my short story collection received an honourable mention for the Leapfrog Press Global Fiction Prize. This is especially pleasing as Leapfrog Press was established by the husband of one of my favourite authors, Marge Piercy — who just happens to be among my recommendations with Shepherd.

That’s it for now! I’ll be getting back to the final draft of Proud Pink Sky, which is to be released in the autumn of next year.

Until then, palace wanderers!

- Redfern

ParSec launch and a review of Doctorow's latest novel

While I’ve been locked in my room working on the final edits to my upcoming novel Proud Pink Sky (Amble Press, 2022), PS Publishing have released the inaugural issue of ParSec Magazine. ParSec features works by well-known science fiction writers such as Ken Macleod, Dan Abnett, and Esther Friesner, as well as my short story ‘We Have Forever’. The story follows an old married couple, the East German Petra and West German Felix, who, thanks to a miraculous new cell therapy restoring their friends to 20 years old, must choose whether they wish to rewind their lives and start afresh — wish everlasting consequences for their marriage.

A promotional video for ParSec’s launch, featuring several contributors (including myself), can be watched here:

My review of Cory Doctorow’s latest novel Attack Surface is also up at Strange Horizon’s. I’ve been a big fan of Doctorow’s ever since reading Walkaway, so I started reading his new work with high expectations…

“Doctorow makes no secret that his aim is to educate and inform. The novel opens with a dedication to real-world whistleblowers, including Chelsea Manning and Edward Snowden, with Attack Surface’s protagonist—Masha—working for a shadowy firm, which helps authoritarian regimes spy on subversive citizens. The novel’s tension comes from the fact that Masha is working both sides, simultaneously assisting the protestors her software is designed to follow. Her conflict lies between cynical compliance and idealistic rebellion…”

The full review can be read here.

That’s all for now, though I’ll be sure to keep posting with news on Proud Pink Sky, as well as my reports on the mysterious ‘outside’ place visible from my bedroom window.

— Redfern

Accouncing PROUD PINK SKY, coming 2022 from Amble Press!

I am beyond delighted to announce that my novel PROUD PINK SKY is being published by Amble Press, a new imprint of Bywater Books, and is scheduled for release in 2022.

Berlin: a megacity of 24 million people, is the world’s first gay state. Its distant radio broadcasts are a lifeline for teenager William, so when his love affair with Gareth is discovered the two flee toward sanctuary. But is there a place for them in a city divided into districts for young twinks, trendy bears, and rich alpha gays? Meanwhile, straight housewife Cissie loves Berlin’s towering highrises and chaotic multiculturalism, yet she’s never left her heterosexual district – not until she and her family are trapped in a queer riot. With her husband Howard plunging into religious paranoia, she discovers a walled-off slum of perpetual twilight, home to the city’s forbidden trans residents.

As they dive deeper into a bustling world of pride parades, polyamorous trysts, and even an official gay language, William and Cissie discover that all is not well in the gay state – each playing their part in a looming civil war...

The novel is the result of years of research into queer communities, history, and Polari – the real-life gay slang which is expanded and updated for PROUD PINK SKY. It is a work of 'ambitopian' fiction, which I’ve described in the io9/Gizmodo article, ‘Why We Need Utopian Fiction Now More Than Ever’.

I’m thrilled that the novel has a home with Amble, which has a number of exciting upcoming books from minority authors. I’ll reveal more information as it’s available!

- Redfern

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ParSec Magazine and Berlin's Schwules Museum

So I’ve been informed that my upcoming story for ParSec Magazine, ‘We Have Forever’, is going to feature in its very first issue — alongside some fantastic names in science fiction, including Ken Macleod, Dan Abnett, and Esther Friesner! It’s really an honour to be included, and you can buy a subscription to PS Publishing’s newest venture here.

Not only that, but the Queer Futures and Future Queers panel discussion, organised by Berlin’s Schwules Museum (Gay/Queer Museum), went extremely well. I was fortunate enough to talk about queer themes in Star Trek, and speculative fiction in general, with writer and editor Eleanor Tremeer, professor David Greven, and podcast host Heather Barker – with the Schwules Museum’s Heiner Schulze presiding. The video can be watched here.

I know this is teasery, but I have some wonderful news to share very soon – later this week, even…

Until then!

- Redfern

Spec fic, Star Trek, and lipstick selfies

This has to be the quietest global crisis so far, because the past couple months have mostly centred around reading old science fiction magazines, watching documentaries about murderers on Netflix, and playing Disco Elysium (genuinely the most well-written game I’ve ever encountered). I’ve also been experimenting with different lipsticks, because changing the colour of my lips on a whim is a superpower I’ve been denied long enough.

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Not only that, but the ever-lovely Alex Goldberg and I stumbled to Kreuzberg’s Bethanien amid ice and snow in order to take my new author photo, which can see seen on the main page of my site. Here’s an unused shot which reveals that I’m actually wearing a thin shirt with the sleeves rolled up, in the middle of winter. Like a genius.

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There’s also exciting news: this Friday I’ll be part of a panel discussion on queerness and Star Trek organised with the Schwules Museum (Gay Museum) Berlin, along with Eleanor Tremeer, David Greven, and Heather Rae:

“Star Trek has been one of TV’s groundbreaking series, representing a utopian future, breaking down racial barriers, inspiring countless kids and adults. Taking one of the most well-known Sci-fi franchises into focus this panel wants to discuss the role and representation of queer people and subjects in Star Trek, and the role Star Trek can play for transcending 20th century gender and sexual norms. It wants to look critically on queerness in Star Trek and questions if Star Trek’s failure to represent queerness undermines its utopian future.

The panel brings together a group of Star Trek aficionados with their own perspectives on the franchise: Eleanor Tremeer is an editor and journalist and has written extensively on gender and queer issues in Star Trek. Redfern Jon Barrett is a British-German Sci-fi writer and polyamorous role model. David Greven is professor of English Language and Literature at the University of South Carolina, author of “Gender and Sexuality in Star Trek: Allegories of Desire in the Television Series and Films“. Also joining will be Heather Rae, podcaster and longtime Star Trek fan. Heather is also co-creator of the #WomenMakeTrek project.”


As is probably to be expected, I have a lot of thoughts. The event can be streamed on Facebook (ugh) at this link.

But that’s not all — I’m pleased to announce that my writing will be published in a new magazine from PS Publishing, tentatively titled ParSec. When it comes to speculative fiction, PS Publishing have made a significant name for themselves in the 22 years they’ve been operating, and I’m more than a little excited to be included.

Other than that, I currently have quite a few things sliding along the Conveyor Belt of Overwork, and I’ll be sure to announce them here. Until then I’ll be hiding indoors, glaring at strangers through my window.

Happy spring!

- Redfern

Richard

I don't even know what to write. But you're gone and Samhain is almost here, so I have to write something. You marked so many festivals, but this was special. This is the time for campy, kitschy, clashy trinkets. The time for the dead.

Your postcards still adorn my walls. Your books line the shelves. But most of all, there are those trinkets. Devil masks and candy hearts. Vintage tins and finger puppets. Plastic ghosts.

Your love came in pieces.

Now I dwell on how much those small things weighed. After all, you never liked fuss. And because you didn't like fuss, there are things I never told you.

I never told you I look up to you.

And that's important. Sensitive queers have few role models, and I was lucky to have one as a friend. You meant a lot to me. You still do. You always will.

So that's my fuss. I will never forget you, you grumpy Gen X cynic. In fact, there's a piece of you I'll always carry with me. A Richard-shaped trinket.

RM Vaughan was an outrageous and insightful writer. I was honoured to write the blurb to his insomnia book Bright Eyed, but I recommend reading any of his works – he was one of those rare minds who could truly see our world from its outside. He deserves to be remembered.

Here's an adorable thing...

I was very pleased to be sent this image of a fridge magnet someone made of my novel The Giddy Death of the Gays & the Strange Demise of Straights. Also I’m extremely impressed that they managed to fit that title onto something so small.

I’m truly flattered that so many people seem to have connected with the story. I’ve been hearing from students who are studying the book at UAB, alongside some of my favourite writers such as Jeanette Winterson and Walt Whitman. It means a lot to me.

- Redfern

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Now Everyone Else Is Locked Inside Too

As 2020 is apparently the year everyone else decides to shut themselves away in their homes, I’d like to take this opportunity to say that I and my workaholism got there first, before being a hermit shut-in became fashionable.

I was also using old-timey telephones and wearing a mask before it became fashionable.

That said, things have been happening in the world outside my desk, and I list them here in no particular order:

  • First of all, the German government made a terrible, terrible mistake and granted me citizenship! Which means I am now both British and German, or Germish.

  • In other changing-labels-news, I now identify as non-binary. I’ve been using “they” as a pronoun for a while, mostly because I think it’s weird that we need to constantly reference people by their gender, which I explore in my short story ‘They’. (Of course I respect whatever pronouns people like.) This doesn’t actually feel like very big news, as it’s just updating a label to catch up to how I’ve already felt, but it’s on my blog which means it’s official.

  • So I’m a non-binary Germish giant (I’m 198cm/6’6” tall). That ought to give the far-right something new to get all outraged over. Never say I’m not a giver.

  • Reviews! Interviews! Overviews! (That last one might not be a thing.) There’s CloudCuckooCountry’s Youtube review of my novel The Giddy Death, and a full interview with your favourite non-binary giant here.

  • Last week I spoke with the ever-wonderful SA Collins and Vance Bastion for the WROTE literary podcast, which can be listened to in a whole buncha places, including Apple Podcasts, Google Play, and Spotify, among others.

  • My flash fiction piece ‘Just Perfect’ got an honourable mention in Queer Sci Fi’s Flash Fiction Contest, and is featured in their latest anthology. It’s speculative horror, which I’ve never written before, and I had a great deal of fun with it.

  • My short story ‘Shelter’, which explores a Berlin bunker across a century of history, was reprinted in Stadtsprechen magazine, a multi-lingual, Berlin-based publication.

  • A language-learning calendar I wrote, Speak Like a Native, was published by the German publisher Harenberg.

  • I’ve also had some shorter nonfiction published, which you can find on my nonfiction page.

I have a couple of major projects and possible announcements coming up, so be sure to sit there endlessly refreshing this page for the latest news.

And with that, I bid you a traditional Germish farewell! Until next time, and remember, DO NOT GO OUTSIDE UNDER ANY CIRCUMSTANCES. It’s only full of other people anyway.

- Redfern

Cold War Queers: Same-Sex Love Across the Berlin Wall

Berlin is one of the queerest places on Earth, and for half a million LGBT+ people Germany’s capital provides a refuge from a doggedly intolerant world. It’s also a city with a dark and troubled history, particularly when that history includes queer sex. Though focus is often devoted to the pink triangles and murderous hatred of the Nazi era, the ruins of the Third Reich and rising Iron Curtain posed particular problems for Berlin’s sexual minorities. At the dawn of the Cold War queer people found themselves at the centre of a new battleground.

Two new countries staggered from the rubble of World War II, and with them two Berlins: one dominated by Allied forces, the other the Soviet Union. Each had a vision for the future, each had its own economic ideology, and each was governed by a savage homophobia. Both the Federal Republic of Germany and the German Democratic Republic fought to prove themselves more ‘moral’ than the other, with capitalist and communist authorities each claiming the healthy heterosexual family to be the foundation for their society.

In the East the German Democratic Republic maintained a rigidly straight workers’ paradise. Though the laws of the Third Reich were abolished as part of its de-Nazification programme, the state retained Paragraph 175, the statute which had criminalised homosexuality for almost 80 years—including any act which “violates the moral sentiment of our workers.” If caught both men and women were published for ‘lewd’ behaviour, though fervent campaigns by rights activists meant the law’s enforcement was short-lived: prosecutions ceased after 1957.

It may sound surprising, but the legal situation was worse for queers living in West Berlin. Whereas the secular communists denounced homosexuality as bourgeois decadence, the more religious capitalists focused on sin: “Concerning male homosexuality, the legal system must, more than in other areas, erect a bulwark against the spreading of this vice, which otherwise would represent a serious danger for a healthy and natural life of the people.” Homosexual behaviour was officially deemed ‘propaganda’, and with the Parliament dominated by conservatives—the most prominent being the devoutly Catholic Chancellor, Konrad Adenauer—Paragraph 175 not only remained in effect, but it was the Nazi version which was enforced. Homosexual Westerners had to be extremely careful: several judges had held positions in the Third Reich, and in the 24 years following the end of the War 100,000 men were prosecuted and 50,000 imprisoned. Many were concentration camp survivors; suicide was common.

As bad as things were in the West, things were no easier for queers in the Eastern half of the city. Though adult homosexuals were no longer legally punished, the government used extralegal means to intimidate them. As one of the most extensive secret police agencies in the world, the Stasi employed legions of spies posing as potential lovers. Queer men and women were blackmailed from jobs, government positions, and even into exile. Love in East Berlin came at great personal risk—the city was crawling with informants.

The media gleefully took part in this harassment: when a young man named Günter Litfin was shot dead while trying to cross the Berlin Wall in 1961, the Neues Deutschand newspaper wasted no time in denouncing him as a deviant homosexual, mocking his memorial and referring to him as “Dolly” (a common homophobic nickname for male sex workers). Yet the media on the other side of the Wall was equally homophobic—in particular Axel Springer’s newspapers, whose high-rise headquarters on Berlin’s Kochstrasse stood as a symbol of the capitalist world.

Things weren’t to improve until the late sixties, with a new generation reaching maturity. Homosexuality was legalised in the East in 1968, and the West In 1969. West Berlin became a magnet for protests and counter-cultural movements which provided (limited) space for queer liberation. Magazines were launched and sympathetic films released—including 1971’s It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives. Following the example set in the United States and Britain after the Stonewall Riots, West Germany began to see the rise of of gay rights organisations, including Homosexuelle Aktion Westberlin. The district of Schöneberg—which had been the world’s first gay village before Nazi rule—thrived once more.

Though on paper legal rights were still more favourable in the East, the powerful system of censorship halted attempts to create gay and lesbian magazines, books, and films. People drank and danced in gay bars like their Western cousins, but they continued to be infiltrated by Stasi informants. Queer Easterners maintained strong communities, often far more intimate than those across the border, but change came slowly. In 1987 the Supreme Court announced that, “…homosexuality, just like heterosexuality, represents a variant of sexual behaviour. Homosexual people therefore do not stand outside socialist society...” Two years later Coming Out was released, the first and only East German gay film, shot at various bars around East Berlin. Harassment and intimidation continued, but by 1989 the communist state was first to equalise the age of consent. The law remained even after the Wall fell five months later.

The tensions between East and West Germany held the world’s focus for decades. For many it can be tempting to idealise a side—praising the ‘equality’ of the East or the ‘freedom’ of the West—but in reality queer Berliners experienced neither. A militant heterosexuality formed the foundation of each state, with homosexuality used as propaganda to show the ‘deviance’ of the other. As a result the language surrounding sexual minorities was eerily similar in both the capitalist and communist worlds, even when the punishments differed. A backlash began when the generations shifted, but for much of the Cold War queers lived under a totalitarian regime—no matter which side of the Iron Curtain they found themselves.

The End of the Tens

With just over a month before we hit the 21st century’s third decade, I thought I’d take a quick look back at a few things that happened in 2019. Good things. Things that aren’t hiding myself away in a neon-lit room, feverishly pounding away at my laptop like I’m trying to appease the furious gods of the Protestant Work Ethic. Stuff like…

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